The work of Portishead co-founder the musician-producer, this scabrous if slight debut feature casts a critical gaze on 90s rave culture. Self-serving drug user David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a darkly funny duel unfolds – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
There is only one key story turn, but it leads to a hilariously staged chaotic run on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now lets rip with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in British and Irish cinemas from 17 November.
